For a drawing to feel alive, it needs a bit of randomness, a bit of unintended movement.
This can be quite difficult. I struggle with it in most drawings I make, maybe because my elementary school teachers loved my super careful drawings so much. I was both creative and neat – what else could anyone want? A little more liveliness, I now think.
So, I’m working to let go a little bit. It’s counterintuitive, but to draw the right line, I have to stop myself from trying so hard to draw the right line;
It still takes work, but I have found a few techniques that help a lot:
- Speed up – Go fast enough for your eyes to lose track a bit.
- Pretend you’re simply sketching to warm up – I have often drawn 18 versions of something, only to go back to the first one.
- Tell yourself to just have as much fun with it as you can for 10 minutes – its awesome if it works.
- Create version after version until you get so frustrated that you no longer care, and then keep going.
- Drink a glass of wine—not recommended, for obvious reasons.
These methods work because they help you worry less about the
For number four, the key is not to quit when you get frustrated. Many people fuss to create version after version until they start to feel very annoyed and then stop. But they are stopping right before it gets good.
Last year, I drew the labels for Spring Fireplace hot sauce bottles. We went through version and after, which became increasingly rough on my schedule. But just as I started feeling very frustrated, the right spontaneity made its way into my peach!
To me, the final version is both more solid and more free: